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A narrow Fellow in the Grass (1096)

By Emily Dickinson

A narrow Fellow in the Grass
Occasionally rides -
You may have met him? Did you not
His notice instant is -

The Grass divides as with a Comb,
A spotted Shaft is seen,
And then it closes at your Feet
And opens further on -

He likes a Boggy Acre -  
A Floor too cool for Corn -
But when a Boy and Barefoot
I more than once at Noon

Have passed I thought a Whip Lash
Unbraiding in the Sun
When stooping to secure it
It wrinkled And was gone -

Several of Nature’s People
I know, and they know me
I feel for them a transport
Of Cordiality

But never met this Fellow
Attended or alone
Without a tighter Breathing
And Zero at the Bone.

Emily Dickinson, "A Narrow Fellow in the Grass" from The Poems of Emily Dickinson: Variorum Edition, Ralph W. Franklin, ed., Cambridge, Mass.: The Belknap Press of Harvard University Press, Copyright ©  1998 by the President and Fellows of Harvard College. Copyright © 1951, 1955, 1979, 1983 by the President and Fellows of Harvard College.

Poet Bio

A daguerrotype of Emily Dickinson at age 16, is displayed at the Emily Dickinson Museum in Amherst, Wednesday, Sept. 4, 2013.

The famous hermit from Amherst, Massachusetts, Emily Dickinson published only eight poems during her lifetime. Today her nearly 2,000 succinct, profound meditations on life and death, nature, love, and art make her one of the most original and important poets in English.

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A Desert Memory

By Bertrand N. O. Walker

Lonely, open, vast and free,
The dark'ning desert lies;
The wind sweeps o'er it fiercely,
And the yellow sand flies.
The tortuous trail is hidden,
Ere the sand-storm has passed
With all its wild, mad shriekings,
Borne shrilly on its blast.

 

Are they fiends or are they demons
That wail weirdly as they go,
Those hoarse and dismal cadences,
From out their depths of woe?
Will they linger and enfold
The lone trav'ler in their spell,

 

Weave ‘round him incantations,
Brewed and bro't forth from their hell?
Bewilder him and turn him
From the rugged, hidden trail,
Make him wander far and falter,
And trembling quail
At the desert and the loneliness
So fearful and so grim,
That to his fervid fancy,
Wraps in darkness only him?

 

The wind has spent its fierce wild wail,
         The dark storm-pall has shifted,
Forth on his sight the stars gleam pale
         In the purpling haze uplifted.

 

And down the steep trail, as he lists,
         He hears soft music stealing;
It trembling falls through filmy mists,
         From rock-walls faint echoes pealing.

 

Whence comes this mystic night-song
With its rhythm wild and free,
With is pleading and entreaty
Pouring forth upon the sea
Of darkness, vast and silent,
Like a tiny ray of hope
That oft-times comes to comfort
When in sorrow's depths we grope?

 

'Tis the An-gu, the Kat-ci-na,
'Tis the Hopi's song of prayer,

 

That in darkness wards off danger,
When 'tis breathed in the air;
Over desert, butte, and mesa,
It is borne out on the night,
Dispelling fear and danger,
Driving evil swift a-flight.

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Whose Mouth Do I Speak With

By Suzanne S. Rancourt

I can remember my father bringing home spruce gum.
He worked in the woods and filled his pockets
with golden chunks of pitch.
For his children
he provided this special sacrament
and we’d gather at this feet, around his legs,
bumping his lunchbox, and his empty thermos rattled inside.
Our skin would stick to Daddy's gluey clothing
and we’d smell like Mumma's Pine Sol.
We had no money for store bought gum
but that’s all right.
The spruce gum
was so close to chewing amber
as though in our mouths we held the eyes of Coyote
and how many other children had fathers
that placed on their innocent, anxious tongue
the blood of tree?

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