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Apollo

By Elizabeth Alexander

We pull off
to a road shack
in Massachusetts
to watch men walk

on the moon. We did   
the same thing
for three two one
blast off, and now

we watch the same men   
bounce in and out
of craters. I want
a Coke and a hamburger.

Because the men
are walking on the moon   
which is now irrefutably   
not green, not cheese,

not a shiny dime floating   
in a cold blue,
the way I'd thought,
the road shack people don't

notice we are a black   
family not from there,   
the way it mostly goes.   
This talking through

static, bounces in space-
boots, tethered   
to cords is much   
stranger, stranger

even than we are.

Elizabeth Alexander, “Apollo” from Poetry (April 1992). Reprinted with the permission of the author.

Poet Bio

Image of Elizabeth Alexander

Born in Harlem, Elizabeth Alexander was educated at Yale, Boston University, and the University of Pennsylvania, where she took her doctorate. She has been on the faculties at Haverford College, the University of Chicago, Smith, and is the former chair of the African American Studies Department at Yale. Her first book, The Venus Hottentot, includes a tour de force monologue, spoken by Sara Baartman who was taken from South Africa and exhibited before European audiences as anatomical oddity. Other poems use a variety of voices, including the boxer Muhammad Ali, to address race, gender, and cultural divisions. In 2009 she read one of her poems at President Obama's inauguration.

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A Desert Memory

By Bertrand N. O. Walker

Lonely, open, vast and free,
The dark'ning desert lies;
The wind sweeps o'er it fiercely,
And the yellow sand flies.
The tortuous trail is hidden,
Ere the sand-storm has passed
With all its wild, mad shriekings,
Borne shrilly on its blast.

 

Are they fiends or are they demons
That wail weirdly as they go,
Those hoarse and dismal cadences,
From out their depths of woe?
Will they linger and enfold
The lone trav'ler in their spell,

 

Weave ‘round him incantations,
Brewed and bro't forth from their hell?
Bewilder him and turn him
From the rugged, hidden trail,
Make him wander far and falter,
And trembling quail
At the desert and the loneliness
So fearful and so grim,
That to his fervid fancy,
Wraps in darkness only him?

 

The wind has spent its fierce wild wail,
         The dark storm-pall has shifted,
Forth on his sight the stars gleam pale
         In the purpling haze uplifted.

 

And down the steep trail, as he lists,
         He hears soft music stealing;
It trembling falls through filmy mists,
         From rock-walls faint echoes pealing.

 

Whence comes this mystic night-song
With its rhythm wild and free,
With is pleading and entreaty
Pouring forth upon the sea
Of darkness, vast and silent,
Like a tiny ray of hope
That oft-times comes to comfort
When in sorrow's depths we grope?

 

'Tis the An-gu, the Kat-ci-na,
'Tis the Hopi's song of prayer,

 

That in darkness wards off danger,
When 'tis breathed in the air;
Over desert, butte, and mesa,
It is borne out on the night,
Dispelling fear and danger,
Driving evil swift a-flight.

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Whose Mouth Do I Speak With

By Suzanne S. Rancourt

I can remember my father bringing home spruce gum.
He worked in the woods and filled his pockets
with golden chunks of pitch.
For his children
he provided this special sacrament
and we’d gather at this feet, around his legs,
bumping his lunchbox, and his empty thermos rattled inside.
Our skin would stick to Daddy's gluey clothing
and we’d smell like Mumma's Pine Sol.
We had no money for store bought gum
but that’s all right.
The spruce gum
was so close to chewing amber
as though in our mouths we held the eyes of Coyote
and how many other children had fathers
that placed on their innocent, anxious tongue
the blood of tree?

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