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Cadillac Moon

By Kevin Young

Crashing
again—Basquiat
sends fenders

& letters headlong
into each other
the future. Fusion.

AAAAAAAAAAA.

Big Bang. The Big
Apple, Atom's
behind him—

no sirens
in sight. His career
of careening

since—at six—
playing stickball
a car stole

his spleen. Blind
sided. Move
along folks—nothing

to see here. Driven,
does two Caddys
colliding, biting

the dust he's begun
to snort. Hit
& run. Red

Cross—the pill-pale
ambulance, inside
out, he hitched

to the hospital.
Joy ride. Hot
wired. O the rush

before the wreck—

each Cadillac,
a Titanic,
an iceberg that's met

its match—cabin
flooded
like an engine,

drawing even
dark Shine
from below deck.

FLATS FIX. Chop

shop. Body work
while-u-wait. In situ
the spleen

or lien, anterior view—

removed. Given
Gray's Anatomy

by his mother for recovery—

151. Reflexion of spleen
turned forwards
& to the right, like

pages of a book

Basquiat pulled
into orbit

with tide, the moon
gold as a tooth,
a hubcap gleaming,

gleaned—Shine
swimming for land,
somewhere solid

to spin his own obit.

Kevin Young, "Cadillac Moon" from To Repel Ghosts. Copyright © 2001 by Kevin Young. Reprinted with the permission of Zoland Books/Steerforth Press.

Poet Bio

Kevin Young

Kevin Young was born in Lincoln, Nebraska. He studied under Seamus Heaney and Lucie Brock-Broido at Harvard University and, while a student there, became a member of the Dark Room Collective, a community of African American writers. “I feel like a poem is made up of poetic and unpoetic language, or unexpected language,” Young said in a 2006 interview with Ploughshares. “I think there are many other vernaculars, whether it’s the vernacular of the blues, or the vernacular of visual art, the sort of living language of the everyday.” For roughly a decade, Young was the Atticus Haygood Professor of Creative Writing and English and curator of Literary Collections and the Raymond Danowski Poetry Library at Emory University. Young is the poetry editor of the New Yorker and the director of New York Public Library's Schomburg Center for Research in Black Culture.

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A Desert Memory

By Bertrand N. O. Walker

Lonely, open, vast and free,
The dark'ning desert lies;
The wind sweeps o'er it fiercely,
And the yellow sand flies.
The tortuous trail is hidden,
Ere the sand-storm has passed
With all its wild, mad shriekings,
Borne shrilly on its blast.

 

Are they fiends or are they demons
That wail weirdly as they go,
Those hoarse and dismal cadences,
From out their depths of woe?
Will they linger and enfold
The lone trav'ler in their spell,

 

Weave ‘round him incantations,
Brewed and bro't forth from their hell?
Bewilder him and turn him
From the rugged, hidden trail,
Make him wander far and falter,
And trembling quail
At the desert and the loneliness
So fearful and so grim,
That to his fervid fancy,
Wraps in darkness only him?

 

The wind has spent its fierce wild wail,
         The dark storm-pall has shifted,
Forth on his sight the stars gleam pale
         In the purpling haze uplifted.

 

And down the steep trail, as he lists,
         He hears soft music stealing;
It trembling falls through filmy mists,
         From rock-walls faint echoes pealing.

 

Whence comes this mystic night-song
With its rhythm wild and free,
With is pleading and entreaty
Pouring forth upon the sea
Of darkness, vast and silent,
Like a tiny ray of hope
That oft-times comes to comfort
When in sorrow's depths we grope?

 

'Tis the An-gu, the Kat-ci-na,
'Tis the Hopi's song of prayer,

 

That in darkness wards off danger,
When 'tis breathed in the air;
Over desert, butte, and mesa,
It is borne out on the night,
Dispelling fear and danger,
Driving evil swift a-flight.

  • Nature
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  • Activities
  • Mythology & Folklore

Whose Mouth Do I Speak With

By Suzanne S. Rancourt

I can remember my father bringing home spruce gum.
He worked in the woods and filled his pockets
with golden chunks of pitch.
For his children
he provided this special sacrament
and we’d gather at this feet, around his legs,
bumping his lunchbox, and his empty thermos rattled inside.
Our skin would stick to Daddy's gluey clothing
and we’d smell like Mumma's Pine Sol.
We had no money for store bought gum
but that’s all right.
The spruce gum
was so close to chewing amber
as though in our mouths we held the eyes of Coyote
and how many other children had fathers
that placed on their innocent, anxious tongue
the blood of tree?

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