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Late Summer

By Jennifer Grotz

Before the moths have even appeared

to orbit around them, the streetlamps come on,

a long row of them glowing uselessly

 

along the ring of garden that circles the city center,

where your steps count down the dulling of daylight.

At your feet, a bee crawls in small circles like a toy unwinding.

 

Summer specializes in time, slows it down almost to dream.

And the noisy day goes so quiet you can hear

the bedraggled man who visits each trash receptacle

 

mutter in disbelief: Everything in the world is being thrown away!

Summer lingers, but it’s about ending. It’s about how things

redden and ripen and burst and come down. It’s when

 

city workers cut down trees, demolishing

one limb at a time, spilling the crumbs

of twigs and leaves all over the tablecloth of street.

 

Sunglasses! the man softly exclaims

while beside him blooms a large gray rose of pigeons

huddled around a dropped piece of bread.

Jennifer Grotz, “Late Summer” from The Needle. Copyright © 2011 by Jennifer Grotz. Reprinted by permission of Houghton Mifflin Harcourt.

Poet Bio

Image of Jennifer Grotz

Poet and translater Jennifer Grotz earned a BA at Tulane University, an MA and MFA from Indiana University, and a PhD at the University of Houston. She has recently completed a manuscript of translations of contemporary Psalms from the French poet Patrice de La Tour du Pin. Her next translation project will be a selection of poems from the Polish of Jerzy Ficowski. She teaches creative writing at the University of Rochester and the Warren Wilson College MFA Program, and she serves as the assistant director of the Bread Loaf Writers' Conference.

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A Desert Memory

By Bertrand N. O. Walker

Lonely, open, vast and free,
The dark'ning desert lies;
The wind sweeps o'er it fiercely,
And the yellow sand flies.
The tortuous trail is hidden,
Ere the sand-storm has passed
With all its wild, mad shriekings,
Borne shrilly on its blast.

 

Are they fiends or are they demons
That wail weirdly as they go,
Those hoarse and dismal cadences,
From out their depths of woe?
Will they linger and enfold
The lone trav'ler in their spell,

 

Weave ‘round him incantations,
Brewed and bro't forth from their hell?
Bewilder him and turn him
From the rugged, hidden trail,
Make him wander far and falter,
And trembling quail
At the desert and the loneliness
So fearful and so grim,
That to his fervid fancy,
Wraps in darkness only him?

 

The wind has spent its fierce wild wail,
         The dark storm-pall has shifted,
Forth on his sight the stars gleam pale
         In the purpling haze uplifted.

 

And down the steep trail, as he lists,
         He hears soft music stealing;
It trembling falls through filmy mists,
         From rock-walls faint echoes pealing.

 

Whence comes this mystic night-song
With its rhythm wild and free,
With is pleading and entreaty
Pouring forth upon the sea
Of darkness, vast and silent,
Like a tiny ray of hope
That oft-times comes to comfort
When in sorrow's depths we grope?

 

'Tis the An-gu, the Kat-ci-na,
'Tis the Hopi's song of prayer,

 

That in darkness wards off danger,
When 'tis breathed in the air;
Over desert, butte, and mesa,
It is borne out on the night,
Dispelling fear and danger,
Driving evil swift a-flight.

  • Nature
  • Religion
  • Activities
  • Mythology & Folklore

Whose Mouth Do I Speak With

By Suzanne S. Rancourt

I can remember my father bringing home spruce gum.
He worked in the woods and filled his pockets
with golden chunks of pitch.
For his children
he provided this special sacrament
and we’d gather at this feet, around his legs,
bumping his lunchbox, and his empty thermos rattled inside.
Our skin would stick to Daddy's gluey clothing
and we’d smell like Mumma's Pine Sol.
We had no money for store bought gum
but that’s all right.
The spruce gum
was so close to chewing amber
as though in our mouths we held the eyes of Coyote
and how many other children had fathers
that placed on their innocent, anxious tongue
the blood of tree?

  • Nature
  • Living
  • Relationships