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Let Us Consider

By Russell Edson

Let us consider the farmer who makes his straw hat his   
sweetheart; or the old woman who makes a floor lamp her son;
or the young woman who has set herself the task of scraping
her shadow off a wall....

    Let us consider the old woman who wore smoked cows’
tongues for shoes and walked a meadow gathering cow chips
in her apron; or a mirror grown dark with age that was given
to a blind man who spent his nights looking into it, which
saddened his mother, that her son should be so lost in
vanity....

    Let us consider the man who fried roses for his dinner,
whose kitchen smelled like a burning rose garden; or the man
who disguised himself as a moth and ate his overcoat, and for   
dessert served himself a chilled fedora....

Russell Edson, "Let Us Consider" from The Rooster's Wife. Copyright © 2005 by Russell Edson.  Reprinted by permission of BOA Editions, Ltd.

Poet Bio

Headshot of poet Russell Edson in a blue sweater.

Edson studied art early in life and attended the Art Students League when he was 16. In the 1960s he began publishing poetry; since then, he has received fellowships from the Guggenheim Foundation and the National Endowment for the Arts. Russell Edson’s prose poems are often populated with strange and intriguing figures: a woman fights a tree, a mother serves ape. The poems are surreal and fablelike, sometimes resembling brief plays. He lived for many years in Stamford, Connecticut.

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Whose Mouth Do I Speak With

By Suzanne S. Rancourt

I can remember my father bringing home spruce gum.
He worked in the woods and filled his pockets
with golden chunks of pitch.
For his children
he provided this special sacrament
and we’d gather at this feet, around his legs,
bumping his lunchbox, and his empty thermos rattled inside.
Our skin would stick to Daddy's gluey clothing
and we’d smell like Mumma's Pine Sol.
We had no money for store bought gum
but that’s all right.
The spruce gum
was so close to chewing amber
as though in our mouths we held the eyes of Coyote
and how many other children had fathers
that placed on their innocent, anxious tongue
the blood of tree?

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Meanwhile

By Richard Siken

    Driving, dogs barking, how you get used to it, how you make
                            the new streets yours.
Trees outside the window and a big band sound that makes you feel like
     everything's okay,
  a feeling that lasts for one song maybe,
                 the parentheses all clicking shut behind you.
          The way we move through time and space, or only time.
The way it's night for many miles, and then suddenly
                                     it's not, it's breakfast
   and you're standing in the shower for over an hour,
                   holding the bar of soap up to the light.
I will keep watch. I will water the yard.
      Knot the tie and go to work. Unknot the tie and go to sleep.
                            I sleep. I dream. I make up things
   that I would never say. I say them very quietly.
                      The trees in wind, the streetlights on,
          the click and flash of cigarettes
being smoked on the lawn, and just a little kiss before we say goodnight.
      It spins like a wheel inside you: green yellow, green blue,
                                  green beautiful green.
   It's simple: it isn't over, it's just begun. It's green. It's still green.

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