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Part for the Whole

By Robert Francis

When others run to windows or out of doors
To catch the sunset whole, he is content
With any segment anywhere he sits.

From segment, fragment, he can reconstruct
The whole, prefers to reconstruct the whole,
As if to say, I see more seeing less.

A window to the east will serve as well
As window to the west, for eastern sky
Echoes the western sky. And even less—

A patch of light that picture-glass happens
To catch from window-glass, fragment of fragment,
Flawed, distorted, dulled, nevertheless

Gives something unglassed nature cannot give:
The old obliquity of art, and proves
Part may be more than whole, least may be best.

Robert Francis, “Part for the Whole” from Robert Francis: Collected Poems 1936-1976. Copyright © 1976 by Robert Francis. Reprinted with the permission of The University of Massachusetts Press.

Poet Bio

Image of Robert Francis

Robert Francis was born in Upland, Pennsylvania, and studied at Harvard. Although he taught at workshops and lectured at universities across the United States, he lived for over sixty years in the same house near Amherst, Massachusetts. His poems are often charmingly whimsical, presenting conundrums and mysteries with a light, lyrical touch. Robert Frost, an important influence on the poet, said that Francis was “of all the great neglected poets, the greatest.”

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By Bertrand N. O. Walker

Lonely, open, vast and free,
The dark'ning desert lies;
The wind sweeps o'er it fiercely,
And the yellow sand flies.
The tortuous trail is hidden,
Ere the sand-storm has passed
With all its wild, mad shriekings,
Borne shrilly on its blast.

 

Are they fiends or are they demons
That wail weirdly as they go,
Those hoarse and dismal cadences,
From out their depths of woe?
Will they linger and enfold
The lone trav'ler in their spell,

 

Weave ‘round him incantations,
Brewed and bro't forth from their hell?
Bewilder him and turn him
From the rugged, hidden trail,
Make him wander far and falter,
And trembling quail
At the desert and the loneliness
So fearful and so grim,
That to his fervid fancy,
Wraps in darkness only him?

 

The wind has spent its fierce wild wail,
         The dark storm-pall has shifted,
Forth on his sight the stars gleam pale
         In the purpling haze uplifted.

 

And down the steep trail, as he lists,
         He hears soft music stealing;
It trembling falls through filmy mists,
         From rock-walls faint echoes pealing.

 

Whence comes this mystic night-song
With its rhythm wild and free,
With is pleading and entreaty
Pouring forth upon the sea
Of darkness, vast and silent,
Like a tiny ray of hope
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When in sorrow's depths we grope?

 

'Tis the An-gu, the Kat-ci-na,
'Tis the Hopi's song of prayer,

 

That in darkness wards off danger,
When 'tis breathed in the air;
Over desert, butte, and mesa,
It is borne out on the night,
Dispelling fear and danger,
Driving evil swift a-flight.

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Whose Mouth Do I Speak With

By Suzanne S. Rancourt

I can remember my father bringing home spruce gum.
He worked in the woods and filled his pockets
with golden chunks of pitch.
For his children
he provided this special sacrament
and we’d gather at this feet, around his legs,
bumping his lunchbox, and his empty thermos rattled inside.
Our skin would stick to Daddy's gluey clothing
and we’d smell like Mumma's Pine Sol.
We had no money for store bought gum
but that’s all right.
The spruce gum
was so close to chewing amber
as though in our mouths we held the eyes of Coyote
and how many other children had fathers
that placed on their innocent, anxious tongue
the blood of tree?

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