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  • 25 Lines or Fewer

Respiration

By Jamaal May

A lot of it lives in the trachea, you know.
But not so much that you won’t need more muscle:
the diaphragm, a fist clenching at the bottom.
Inhale. So many of us are breathless,
you know, like me
kneeling to collect the pottery shards
of a house plant my elbow has nudged
into oblivion. What if I sigh,
and the black earth beneath me scatters
like insects running from my breath?
Am I a god then? Am I insane
because I worry about the disassembling of earth
regularly? I walk more softly now

into gardens or up the steps of old houses
with impatiens stuffed in their window boxes.
When it’s you standing there with a letter
or voice or face full of solemn news,
will you hold your breath before you knock?

Poet Bio

Image of Jamaal May

Jamaal May was born and raised in Detroit. His first book, Hum (2013), won a Beatrice Hawley Award and an American Library Association Notable Book Award and was an NAACP Image Award nominee. Hum explores machines, technology, obsolescence, and community; in an interview, May stated of his first book, “Ultimately, I’m trying to say something about dichotomy, the uneasy spaces between disparate emotions, and by extension, the uneasy spaces between human connection.” May has taught poetry in Detroit public schools and worked as a freelance sound engineer. He has taught in the Vermont College of Fine Arts MFA program and codirects, with Tarfia Faizullah, the Organic Weapon Arts Chapbook and Video Series.

See More By This Poet

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A Wyandot Cradle Song

By Bertrand N. O. Walker

Hush thee and sleep, little one, 
     The feathers on thy board sway to and fro; 
The shadows reach far downward in the water 
     The great old owl is waking, day will go. 

Rest thee and fear not, little one, 
     Flitting fireflies come to light you on your way 
To the fair land of dreams, while in the grasses 
     The happy cricket chirps his merry lay. 

Tsa-du-meh watches always o’er her little one, 
     The great owl cannot harm you, slumber on 
’Till the pale light comes shooting from the eastward, 
     And the twitter of the birds says night has gone.

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Whose Mouth Do I Speak With

By Suzanne S. Rancourt

I can remember my father bringing home spruce gum.
He worked in the woods and filled his pockets
with golden chunks of pitch.
For his children
he provided this special sacrament
and we’d gather at this feet, around his legs,
bumping his lunchbox, and his empty thermos rattled inside.
Our skin would stick to Daddy's gluey clothing
and we’d smell like Mumma's Pine Sol.
We had no money for store bought gum
but that’s all right.
The spruce gum
was so close to chewing amber
as though in our mouths we held the eyes of Coyote
and how many other children had fathers
that placed on their innocent, anxious tongue
the blood of tree?

  • Nature
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  • Relationships