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  • 25 Lines or Fewer

Arrhythmia

By Hailey Leithauser

The heart of a bear is a cloud-shuttered
mountain. The heart of a mountain’s a kiln.
The white heart of a moth has nineteen white
chambers. The heart of a swan is a swan.

The heart of a wasp is a prick of plush.
The heart of a skunk is a mink. The heart
of an owl is part blood and part chalice.
The fey mouse heart rides a dawdy dust-cart.

The heart of a kestrel hides a house wren
at nest. The heart of lark is a czar.
The heart of a scorpion is swidden

and spark. The heart of a shark is a gear.
Listen and tell, thrums the grave heart of humans.
Listen well love, for it’s pitch dark down here.

Poet Bio

Black and white headshot of poet Hailey Leithauser in front of a painting.

Hailey Leithauser originally took poetry workshops as an undergraduate at the University of Maryland, but stopped writing for almost 20 years while she pursued a career as a librarian. Standing in front of a van Gogh painting during a visit to the National Gallery of Art in Washington, D.C., she was inspired to return to writing, and eventually developed her own form, the small sonnet. Writing dense, compact poems packed with slant and full rhymes has taught Leithauser “to really exploit what you can do in a poem that is only 70 syllables long and that relies on rhyme to really carry it through," she told the Takoma Voice in an interview. Born in Florida, Leithauser lives in Takoma Park, Maryland.

See More By This Poet

More By This Poet

Mockingbird

By Hailey Leithauser

No other song
                    or swoop (part
       quiver, part swivel and
             plash) with
  tour de force
stray the course note
       liquefactions
   (its new,
bawdy air an
       aria hangs in) en-
thralls,
             trills, loops, soars,
                    startles, out-warbles,
out-brawns, more
       juicily,
                    lifts up
the dawn, outlaws from
                        sackcloth,...

  • Nature
  • Living
  • Time & Brevity

More Poems About Nature

A Desert Memory

By Bertrand N. O. Walker

Lonely, open, vast and free,
The dark'ning desert lies;
The wind sweeps o'er it fiercely,
And the yellow sand flies.
The tortuous trail is hidden,
Ere the sand-storm has passed
With all its wild, mad shriekings,
Borne shrilly on its blast.

 

Are they fiends or are they demons
That wail weirdly as they go,
Those hoarse and dismal cadences,
From out their depths of woe?
Will they linger and enfold
The lone trav'ler in their spell,

 

Weave ‘round him incantations,
Brewed and bro't forth from their hell?
Bewilder him and turn him
From the rugged, hidden trail,
Make him wander far and falter,
And trembling quail
At the desert and the loneliness
So fearful and so grim,
That to his fervid fancy,
Wraps in darkness only him?

 

The wind has spent its fierce wild wail,
         The dark storm-pall has shifted,
Forth on his sight the stars gleam pale
         In the purpling haze uplifted.

 

And down the steep trail, as he lists,
         He hears soft music stealing;
It trembling falls through filmy mists,
         From rock-walls faint echoes pealing.

 

Whence comes this mystic night-song
With its rhythm wild and free,
With is pleading and entreaty
Pouring forth upon the sea
Of darkness, vast and silent,
Like a tiny ray of hope
That oft-times comes to comfort
When in sorrow's depths we grope?

 

'Tis the An-gu, the Kat-ci-na,
'Tis the Hopi's song of prayer,

 

That in darkness wards off danger,
When 'tis breathed in the air;
Over desert, butte, and mesa,
It is borne out on the night,
Dispelling fear and danger,
Driving evil swift a-flight.

  • Nature
  • Religion
  • Activities
  • Mythology & Folklore

Whose Mouth Do I Speak With

By Suzanne S. Rancourt

I can remember my father bringing home spruce gum.
He worked in the woods and filled his pockets
with golden chunks of pitch.
For his children
he provided this special sacrament
and we’d gather at this feet, around his legs,
bumping his lunchbox, and his empty thermos rattled inside.
Our skin would stick to Daddy's gluey clothing
and we’d smell like Mumma's Pine Sol.
We had no money for store bought gum
but that’s all right.
The spruce gum
was so close to chewing amber
as though in our mouths we held the eyes of Coyote
and how many other children had fathers
that placed on their innocent, anxious tongue
the blood of tree?

  • Nature
  • Living
  • Relationships

More Poems About Living

Meanwhile

By Richard Siken

    Driving, dogs barking, how you get used to it, how you make
                            the new streets yours.
Trees outside the window and a big band sound that makes you feel like
     everything's okay,
  a feeling that lasts for one song maybe,
                 the parentheses all clicking shut behind you.
          The way we move through time and space, or only time.
The way it's night for many miles, and then suddenly
                                     it's not, it's breakfast
   and you're standing in the shower for over an hour,
                   holding the bar of soap up to the light.
I will keep watch. I will water the yard.
      Knot the tie and go to work. Unknot the tie and go to sleep.
                            I sleep. I dream. I make up things
   that I would never say. I say them very quietly.
                      The trees in wind, the streetlights on,
          the click and flash of cigarettes
being smoked on the lawn, and just a little kiss before we say goodnight.
      It spins like a wheel inside you: green yellow, green blue,
                                  green beautiful green.
   It's simple: it isn't over, it's just begun. It's green. It's still green.

  • Living
  • Relationships