Skip to main content

Four Portraits of Fire

By Lorna Dee Cervantes

1
I find a strange knowledge of wind,
an open door in the mountain
pass where everything intersects.
Believe me. This will not pass.
This is a world where flags
contain themselves, and are still,
marked by their unfurled edges.
Lean stuff sways on the boughs
of pitch pine: silver, almost tinsel,
all light gone blue and sprouting
orange oils in a last bouquet.

       2
These were the nest builders;
I caught one last morning, I sang
so it fell down, stupid,
from the trees. They’re so incorrect
in their dead skin. Witness their twig
feet, the mistake of their hands.
They will follow you. They yearn
pebbles for their gullets to grind
their own seed. They swallow
so selflessly and die
like patriots.

       3
Last Christmas, a family of five
woke from their dreaming and
dreamed themselves over: the baby
in its pink pajamas, the boy
in the red flannel bathrobe
he grabbed from the door,
a mother, a father, and a sister
in curlers; all died.

A wood frame house,
a cannister of oil,
a match—watch
as it unsettles.
They were so cold;
umber.

       4
I am away from the knowledge
of animal mystics,
brujas and sorcerers
or the nudging chants
of a Tlingit Kachina.
I am frightened by regions
with wills of their own,
but when my people
die in the snow
I wonder
did the depths billow up
to reach them?

"Four Portraits of Fire" from Emplumada, by Lorna Dee Cervantes, © 1982. All rights are controlled by the University of Pittsburgh Press, Pittsburgh, PA 15260. Used by permission of the University of Pittsburgh Press.

Poet Bio

Black and white headshot of Lorna Dee Cervantes

Lorna Dee Cervantes is a critically acclaimed native California (Chumash-Chicana) poet.  She is the former Director of Creative Writing and an Associate Professor of English at the University of Colorado in Boulder where she has taught for 18 years. Cervantes’s writing evokes and explores cultural difference—between Mexican, Anglo, Native American, and African American lives—as well as the divides of gender and economics.

See More By This Poet

More Poems About Nature

A Desert Memory

By Bertrand N. O. Walker

Lonely, open, vast and free,
The dark'ning desert lies;
The wind sweeps o'er it fiercely,
And the yellow sand flies.
The tortuous trail is hidden,
Ere the sand-storm has passed
With all its wild, mad shriekings,
Borne shrilly on its blast.

 

Are they fiends or are they demons
That wail weirdly as they go,
Those hoarse and dismal cadences,
From out their depths of woe?
Will they linger and enfold
The lone trav'ler in their spell,

 

Weave ‘round him incantations,
Brewed and bro't forth from their hell?
Bewilder him and turn him
From the rugged, hidden trail,
Make him wander far and falter,
And trembling quail
At the desert and the loneliness
So fearful and so grim,
That to his fervid fancy,
Wraps in darkness only him?

 

The wind has spent its fierce wild wail,
         The dark storm-pall has shifted,
Forth on his sight the stars gleam pale
         In the purpling haze uplifted.

 

And down the steep trail, as he lists,
         He hears soft music stealing;
It trembling falls through filmy mists,
         From rock-walls faint echoes pealing.

 

Whence comes this mystic night-song
With its rhythm wild and free,
With is pleading and entreaty
Pouring forth upon the sea
Of darkness, vast and silent,
Like a tiny ray of hope
That oft-times comes to comfort
When in sorrow's depths we grope?

 

'Tis the An-gu, the Kat-ci-na,
'Tis the Hopi's song of prayer,

 

That in darkness wards off danger,
When 'tis breathed in the air;
Over desert, butte, and mesa,
It is borne out on the night,
Dispelling fear and danger,
Driving evil swift a-flight.

  • Nature
  • Religion
  • Activities
  • Mythology & Folklore

Whose Mouth Do I Speak With

By Suzanne S. Rancourt

I can remember my father bringing home spruce gum.
He worked in the woods and filled his pockets
with golden chunks of pitch.
For his children
he provided this special sacrament
and we’d gather at this feet, around his legs,
bumping his lunchbox, and his empty thermos rattled inside.
Our skin would stick to Daddy's gluey clothing
and we’d smell like Mumma's Pine Sol.
We had no money for store bought gum
but that’s all right.
The spruce gum
was so close to chewing amber
as though in our mouths we held the eyes of Coyote
and how many other children had fathers
that placed on their innocent, anxious tongue
the blood of tree?

  • Nature
  • Living
  • Relationships

More Poems About Living

Meanwhile

By Richard Siken

    Driving, dogs barking, how you get used to it, how you make
                            the new streets yours.
Trees outside the window and a big band sound that makes you feel like
     everything's okay,
  a feeling that lasts for one song maybe,
                 the parentheses all clicking shut behind you.
          The way we move through time and space, or only time.
The way it's night for many miles, and then suddenly
                                     it's not, it's breakfast
   and you're standing in the shower for over an hour,
                   holding the bar of soap up to the light.
I will keep watch. I will water the yard.
      Knot the tie and go to work. Unknot the tie and go to sleep.
                            I sleep. I dream. I make up things
   that I would never say. I say them very quietly.
                      The trees in wind, the streetlights on,
          the click and flash of cigarettes
being smoked on the lawn, and just a little kiss before we say goodnight.
      It spins like a wheel inside you: green yellow, green blue,
                                  green beautiful green.
   It's simple: it isn't over, it's just begun. It's green. It's still green.

  • Living
  • Relationships