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Immortal Autumn

By Archibald MacLeish

I speak this poem now with grave and level voice   
In praise of autumn, of the far-horn-winding fall.

I praise the flower-barren fields, the clouds, the tall   
Unanswering branches where the wind makes sullen noise.

I praise the fall: it is the human season.
                                                                  Now
No more the foreign sun does meddle at our earth,   
Enforce the green and bring the fallow land to birth,   
Nor winter yet weigh all with silence the pine bough,

But now in autumn with the black and outcast crows   
Share we the spacious world: the whispering year is gone:   
There is more room to live now: the once secret dawn   
Comes late by daylight and the dark unguarded goes.

Between the mutinous brave burning of the leaves   
And winter’s covering of our hearts with his deep snow   
We are alone: there are no evening birds: we know   
The naked moon: the tame stars circle at our eaves.

It is the human season. On this sterile air
Do words outcarry breath: the sound goes on and on.   
I hear a dead man’s cry from autumn long since gone.

I cry to you beyond upon this bitter air.

Archibald MacLeish, “Immortal Autumn” from Collected Poems 1917-1982. Copyright © 1985 by The Estate of Archibald MacLeish. Reprinted with the permission of Houghton Mifflin Company. All rights reserved.

Poet Bio

Black and white headshot of poet Archibald Macleish.

Archibald MacLeish was born in Glencoe, Illinois, and attended Yale University where he was a member of the Skull and Bones secret society. After college, he enrolled at Harvard Law School, but he put his studies on hold to become first an ambulance driver and later a captain of artillery during World War I. He graduated from Harvard in 1919. MacLeish’s long and prestigious career includes several years practicing law, writing and editing for Fortune magazine, and a five-year stint as Librarian of Congress. He received numerous fellowships, grants, honorary degrees, and awards. He won three Pulitzer Prizes, including one for his verse drama, J.B.

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A Desert Memory

By Bertrand N. O. Walker

Lonely, open, vast and free,
The dark'ning desert lies;
The wind sweeps o'er it fiercely,
And the yellow sand flies.
The tortuous trail is hidden,
Ere the sand-storm has passed
With all its wild, mad shriekings,
Borne shrilly on its blast.

 

Are they fiends or are they demons
That wail weirdly as they go,
Those hoarse and dismal cadences,
From out their depths of woe?
Will they linger and enfold
The lone trav'ler in their spell,

 

Weave ‘round him incantations,
Brewed and bro't forth from their hell?
Bewilder him and turn him
From the rugged, hidden trail,
Make him wander far and falter,
And trembling quail
At the desert and the loneliness
So fearful and so grim,
That to his fervid fancy,
Wraps in darkness only him?

 

The wind has spent its fierce wild wail,
         The dark storm-pall has shifted,
Forth on his sight the stars gleam pale
         In the purpling haze uplifted.

 

And down the steep trail, as he lists,
         He hears soft music stealing;
It trembling falls through filmy mists,
         From rock-walls faint echoes pealing.

 

Whence comes this mystic night-song
With its rhythm wild and free,
With is pleading and entreaty
Pouring forth upon the sea
Of darkness, vast and silent,
Like a tiny ray of hope
That oft-times comes to comfort
When in sorrow's depths we grope?

 

'Tis the An-gu, the Kat-ci-na,
'Tis the Hopi's song of prayer,

 

That in darkness wards off danger,
When 'tis breathed in the air;
Over desert, butte, and mesa,
It is borne out on the night,
Dispelling fear and danger,
Driving evil swift a-flight.

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  • Religion
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  • Mythology & Folklore

Whose Mouth Do I Speak With

By Suzanne S. Rancourt

I can remember my father bringing home spruce gum.
He worked in the woods and filled his pockets
with golden chunks of pitch.
For his children
he provided this special sacrament
and we’d gather at this feet, around his legs,
bumping his lunchbox, and his empty thermos rattled inside.
Our skin would stick to Daddy's gluey clothing
and we’d smell like Mumma's Pine Sol.
We had no money for store bought gum
but that’s all right.
The spruce gum
was so close to chewing amber
as though in our mouths we held the eyes of Coyote
and how many other children had fathers
that placed on their innocent, anxious tongue
the blood of tree?

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  • Living
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More Poems About Living

Meanwhile

By Richard Siken

    Driving, dogs barking, how you get used to it, how you make
                            the new streets yours.
Trees outside the window and a big band sound that makes you feel like
     everything's okay,
  a feeling that lasts for one song maybe,
                 the parentheses all clicking shut behind you.
          The way we move through time and space, or only time.
The way it's night for many miles, and then suddenly
                                     it's not, it's breakfast
   and you're standing in the shower for over an hour,
                   holding the bar of soap up to the light.
I will keep watch. I will water the yard.
      Knot the tie and go to work. Unknot the tie and go to sleep.
                            I sleep. I dream. I make up things
   that I would never say. I say them very quietly.
                      The trees in wind, the streetlights on,
          the click and flash of cigarettes
being smoked on the lawn, and just a little kiss before we say goodnight.
      It spins like a wheel inside you: green yellow, green blue,
                                  green beautiful green.
   It's simple: it isn't over, it's just begun. It's green. It's still green.

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