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In the Past

By Trumbull Stickney

There lies a somnolent lake
Under a noiseless sky,
Where never the mornings break
Nor the evenings die.

Mad flakes of colour
Whirl on its even face
Iridescent and streaked with pallour;
And, warding the silent place,

The rocks rise sheer and gray
From the sedgeless brink to the sky
Dull-lit with the light of pale half-day
Thro’ a void space and dry.

And the hours lag dead in the air
With a sense of coming eternity
To the heart of the lonely boatman there:
That boatman am I,

I, in my lonely boat,
A waif on the somnolent lake,
Watching the colours creep and float
With the sinuous track of a snake.

Now I lean o’er the side
And lazy shades in the water see,
Lapped in the sweep of a sluggish tide
Crawled in from the living sea;

And next I fix mine eyes,
So long that the heart declines,
On the changeless face of the open skies
Where no star shines;

And now to the rocks I turn,
To the rocks, around
That lie like walls of a circling sun
Wherein lie bound

The waters that feel my powerless strength
And meet my homeless oar
Labouring over their ashen length
Never to find a shore.

But the gleam still skims
At times on the somnolent lake,
And a light there is that swims
With the whirl of a snake;

And tho’ dead be the hours i’ the air,
And dayless the sky,
The heart is alive of the boatman there:
That boatman am I.

Poet Bio

Black and white side portrait of Trumbull Stickney reading a periodical with a cigarette in his mouth.

The son of wealthy and educated parents, Trumbull Stickney led a cosmopolitan life in Europe before attending Harvard College. While still a freshman, he was chosen to help edit the prestigious Harvard Monthly. His first poems were published in the magazine and clearly show his interest in classical Greek literature. After graduating, Stickney traveled to Paris and studied at the Sorbonne, becoming the first American to receive the university’s degree of Doctorat es Lettres. Unhappy in academia, he returned to Harvard to teach and died just a year later, at the age of 30. Though he was well versed in classical Greek literature, in his own poetry Stickney displays the divisions of a modern consciousness. Highly emotional and technically daring, Stickney’s small body of work influenced later poets such as T.S. Eliot and Ezra Pound.

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A Desert Memory

By Bertrand N. O. Walker

Lonely, open, vast and free,
The dark'ning desert lies;
The wind sweeps o'er it fiercely,
And the yellow sand flies.
The tortuous trail is hidden,
Ere the sand-storm has passed
With all its wild, mad shriekings,
Borne shrilly on its blast.

 

Are they fiends or are they demons
That wail weirdly as they go,
Those hoarse and dismal cadences,
From out their depths of woe?
Will they linger and enfold
The lone trav'ler in their spell,

 

Weave ‘round him incantations,
Brewed and bro't forth from their hell?
Bewilder him and turn him
From the rugged, hidden trail,
Make him wander far and falter,
And trembling quail
At the desert and the loneliness
So fearful and so grim,
That to his fervid fancy,
Wraps in darkness only him?

 

The wind has spent its fierce wild wail,
         The dark storm-pall has shifted,
Forth on his sight the stars gleam pale
         In the purpling haze uplifted.

 

And down the steep trail, as he lists,
         He hears soft music stealing;
It trembling falls through filmy mists,
         From rock-walls faint echoes pealing.

 

Whence comes this mystic night-song
With its rhythm wild and free,
With is pleading and entreaty
Pouring forth upon the sea
Of darkness, vast and silent,
Like a tiny ray of hope
That oft-times comes to comfort
When in sorrow's depths we grope?

 

'Tis the An-gu, the Kat-ci-na,
'Tis the Hopi's song of prayer,

 

That in darkness wards off danger,
When 'tis breathed in the air;
Over desert, butte, and mesa,
It is borne out on the night,
Dispelling fear and danger,
Driving evil swift a-flight.

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  • Mythology & Folklore

Whose Mouth Do I Speak With

By Suzanne S. Rancourt

I can remember my father bringing home spruce gum.
He worked in the woods and filled his pockets
with golden chunks of pitch.
For his children
he provided this special sacrament
and we’d gather at this feet, around his legs,
bumping his lunchbox, and his empty thermos rattled inside.
Our skin would stick to Daddy's gluey clothing
and we’d smell like Mumma's Pine Sol.
We had no money for store bought gum
but that’s all right.
The spruce gum
was so close to chewing amber
as though in our mouths we held the eyes of Coyote
and how many other children had fathers
that placed on their innocent, anxious tongue
the blood of tree?

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More Poems About Living

Meanwhile

By Richard Siken

    Driving, dogs barking, how you get used to it, how you make
                            the new streets yours.
Trees outside the window and a big band sound that makes you feel like
     everything's okay,
  a feeling that lasts for one song maybe,
                 the parentheses all clicking shut behind you.
          The way we move through time and space, or only time.
The way it's night for many miles, and then suddenly
                                     it's not, it's breakfast
   and you're standing in the shower for over an hour,
                   holding the bar of soap up to the light.
I will keep watch. I will water the yard.
      Knot the tie and go to work. Unknot the tie and go to sleep.
                            I sleep. I dream. I make up things
   that I would never say. I say them very quietly.
                      The trees in wind, the streetlights on,
          the click and flash of cigarettes
being smoked on the lawn, and just a little kiss before we say goodnight.
      It spins like a wheel inside you: green yellow, green blue,
                                  green beautiful green.
   It's simple: it isn't over, it's just begun. It's green. It's still green.

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