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It's the Little Towns I Like

By Thomas Lux

It’s the little towns I like
with their little mills making ratchets
and stanchions, elastic web,
spindles, you
name it. I like them in New England,
America, particularly-providing
bad jobs good enough to live on, to live in
families even: kindergarten,
church suppers, beach umbrellas ... The towns
are real, so fragile in their loneliness
a flood could come along
(and floods have) and cut them in two,
in half. There is no mayor,
the town council’s not prepared
for this, three of the four policemen
are stranded on their roofs ... and it doesn’t stop
raining. The mountain
is so thick with water parts of it just slide
down on the heifers—soggy, suicidal—
in the pastures below. It rains, it rains
in these towns and, because
there’s no other way, your father gets in a rowboat
so he can go to work.

Thomas Lux, “It’s the Little Towns I Like” from New and Selected Poems: 1975-1995. Copyright © 1997 by Thomas Lux. Used by the permission of Houghton Mifflin Company. All rights reserved.

Poet Bio

Poet Thomas Lux speaks during Poets House's 17th Annual Poetry Walk Across The Brooklyn Bridge on June 11, 2012 in Brooklyn, New York

Born in Northampton, Massachusetts, Thomas Lux’s poetry often deals with life’s tragedies, but usually employs an ironic humor. He published numerous books of poetry including Split Horizon, which won the Kingsley Tufts Poetry Award. Lux taught at Sarah Lawrence College.

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A Desert Memory

By Bertrand N. O. Walker

Lonely, open, vast and free,
The dark'ning desert lies;
The wind sweeps o'er it fiercely,
And the yellow sand flies.
The tortuous trail is hidden,
Ere the sand-storm has passed
With all its wild, mad shriekings,
Borne shrilly on its blast.

 

Are they fiends or are they demons
That wail weirdly as they go,
Those hoarse and dismal cadences,
From out their depths of woe?
Will they linger and enfold
The lone trav'ler in their spell,

 

Weave ‘round him incantations,
Brewed and bro't forth from their hell?
Bewilder him and turn him
From the rugged, hidden trail,
Make him wander far and falter,
And trembling quail
At the desert and the loneliness
So fearful and so grim,
That to his fervid fancy,
Wraps in darkness only him?

 

The wind has spent its fierce wild wail,
         The dark storm-pall has shifted,
Forth on his sight the stars gleam pale
         In the purpling haze uplifted.

 

And down the steep trail, as he lists,
         He hears soft music stealing;
It trembling falls through filmy mists,
         From rock-walls faint echoes pealing.

 

Whence comes this mystic night-song
With its rhythm wild and free,
With is pleading and entreaty
Pouring forth upon the sea
Of darkness, vast and silent,
Like a tiny ray of hope
That oft-times comes to comfort
When in sorrow's depths we grope?

 

'Tis the An-gu, the Kat-ci-na,
'Tis the Hopi's song of prayer,

 

That in darkness wards off danger,
When 'tis breathed in the air;
Over desert, butte, and mesa,
It is borne out on the night,
Dispelling fear and danger,
Driving evil swift a-flight.

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