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Ode to the Electric Fish that Eat Only the Tails of Other Electric Fish,

By Thomas Lux

which regenerate their tails
and also eat only the tails of other electric eels,
presumably smaller, who, in turn, eat ... 
Without consulting an ichthyologist — eels
are fish — I defer to biology’s genius.
I know little of their numbers
and habitat, other than they are river dwellers.
Guess which river. I have only a note,
a note taken in reading
or fever — I can’t tell, from my handwriting, which. All
I know is it seems
sensible, sustainable: no fish dies,
nobody ever gets so hungry he bites off more
than a tail; the sting, the trauma
keeps the bitten fish lean and alert.
The need to hide while regrowing a tail teaches guile.
They’ll eat smaller tails for a while.
These eels, these eels themselves are odes!

Poet Bio

Poet Thomas Lux speaks during Poets House's 17th Annual Poetry Walk Across The Brooklyn Bridge on June 11, 2012 in Brooklyn, New York

Born in Northampton, Massachusetts, Thomas Lux’s poetry often deals with life’s tragedies, but usually employs an ironic humor. He published numerous books of poetry including Split Horizon, which won the Kingsley Tufts Poetry Award. Lux taught at Sarah Lawrence College.

See More By This Poet

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A Desert Memory

By Bertrand N. O. Walker

Lonely, open, vast and free,
The dark'ning desert lies;
The wind sweeps o'er it fiercely,
And the yellow sand flies.
The tortuous trail is hidden,
Ere the sand-storm has passed
With all its wild, mad shriekings,
Borne shrilly on its blast.

 

Are they fiends or are they demons
That wail weirdly as they go,
Those hoarse and dismal cadences,
From out their depths of woe?
Will they linger and enfold
The lone trav'ler in their spell,

 

Weave ‘round him incantations,
Brewed and bro't forth from their hell?
Bewilder him and turn him
From the rugged, hidden trail,
Make him wander far and falter,
And trembling quail
At the desert and the loneliness
So fearful and so grim,
That to his fervid fancy,
Wraps in darkness only him?

 

The wind has spent its fierce wild wail,
         The dark storm-pall has shifted,
Forth on his sight the stars gleam pale
         In the purpling haze uplifted.

 

And down the steep trail, as he lists,
         He hears soft music stealing;
It trembling falls through filmy mists,
         From rock-walls faint echoes pealing.

 

Whence comes this mystic night-song
With its rhythm wild and free,
With is pleading and entreaty
Pouring forth upon the sea
Of darkness, vast and silent,
Like a tiny ray of hope
That oft-times comes to comfort
When in sorrow's depths we grope?

 

'Tis the An-gu, the Kat-ci-na,
'Tis the Hopi's song of prayer,

 

That in darkness wards off danger,
When 'tis breathed in the air;
Over desert, butte, and mesa,
It is borne out on the night,
Dispelling fear and danger,
Driving evil swift a-flight.

  • Nature
  • Religion
  • Activities
  • Mythology & Folklore

Whose Mouth Do I Speak With

By Suzanne S. Rancourt

I can remember my father bringing home spruce gum.
He worked in the woods and filled his pockets
with golden chunks of pitch.
For his children
he provided this special sacrament
and we’d gather at this feet, around his legs,
bumping his lunchbox, and his empty thermos rattled inside.
Our skin would stick to Daddy's gluey clothing
and we’d smell like Mumma's Pine Sol.
We had no money for store bought gum
but that’s all right.
The spruce gum
was so close to chewing amber
as though in our mouths we held the eyes of Coyote
and how many other children had fathers
that placed on their innocent, anxious tongue
the blood of tree?

  • Nature
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  • Relationships