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Musical Moment

By Virginia Hamilton Adair

Always the caravan of sound made us halt   
to admire the swinging and the swift go-by   
of beasts with enormous hooves and heads   
beating the earth or reared against the sky.

Do not reread, I mean glance ahead to see
what has become of the colossal forms:
everything happened at the instant of passing:
the hoof-beat, the whinny, the bells on the harness,   
the creak of the wheels, the monkey’s fandango   
in double time over the elephant’s back.

When the marching was over and we were free to go on   
there was never before us a dungfall or a track
on the road-sands of any kind:
only the motion of footprints being made
crossing and recrossing in the trampled mind.

Virginia Hamilton Adair, “Musical Moment” from Ants on the Melon. Copyright © 1996 by Virginia Hamilton Adair. Used by permission of Random House, an imprint and division of Penguin Random House LLC. All rights reserved.

Poet Bio

Tight cropped side profile of Virginia Hamilton-Adair.

Although she had written all of her life, Virginia Hamilton Adair didn’t publish her first book until she was 83, by which time glaucoma had left her blind. Ants on the Melon appeared in 1996 to wide acclaim for its playful rhymes, beguiling sense of nostalgia, and the poet’s frank, often humorous take on her blindness. She published two other books before her death: Beliefs and Blasphemies and Living on Fire.

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A Desert Memory

By Bertrand N. O. Walker

Lonely, open, vast and free,
The dark'ning desert lies;
The wind sweeps o'er it fiercely,
And the yellow sand flies.
The tortuous trail is hidden,
Ere the sand-storm has passed
With all its wild, mad shriekings,
Borne shrilly on its blast.

 

Are they fiends or are they demons
That wail weirdly as they go,
Those hoarse and dismal cadences,
From out their depths of woe?
Will they linger and enfold
The lone trav'ler in their spell,

 

Weave ‘round him incantations,
Brewed and bro't forth from their hell?
Bewilder him and turn him
From the rugged, hidden trail,
Make him wander far and falter,
And trembling quail
At the desert and the loneliness
So fearful and so grim,
That to his fervid fancy,
Wraps in darkness only him?

 

The wind has spent its fierce wild wail,
         The dark storm-pall has shifted,
Forth on his sight the stars gleam pale
         In the purpling haze uplifted.

 

And down the steep trail, as he lists,
         He hears soft music stealing;
It trembling falls through filmy mists,
         From rock-walls faint echoes pealing.

 

Whence comes this mystic night-song
With its rhythm wild and free,
With is pleading and entreaty
Pouring forth upon the sea
Of darkness, vast and silent,
Like a tiny ray of hope
That oft-times comes to comfort
When in sorrow's depths we grope?

 

'Tis the An-gu, the Kat-ci-na,
'Tis the Hopi's song of prayer,

 

That in darkness wards off danger,
When 'tis breathed in the air;
Over desert, butte, and mesa,
It is borne out on the night,
Dispelling fear and danger,
Driving evil swift a-flight.

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