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My Brother the Artist, at Seven

By Philip Levine

As a boy he played alone in the fields   
behind our block, six frame houses   
holding six immigrant families,   
the parents speaking only gibberish   
to their neighbors. Without the kids   
they couldn't say "Good morning" and be   
understood. Little wonder   
he learned early to speak to himself,   
to tell no one what truly mattered.   
How much can matter to a kid   
of seven? Everything. The whole world   
can be his. Just after dawn he sneaks   
out to hide in the wild, bleached grasses   
of August and pretends he's grown up,   
someone complete in himself without   
the need for anyone, a warrior   
from the ancient places our fathers   
fled years before, those magic places:   
Kiev, Odessa, the Crimea,   
Port Said, Alexandria, Lisbon,   
the Canaries, Caracas, Galveston.   
In the damp grass he recites the names   
over and over in a hushed voice   
while the sun climbs into the locust tree   
to waken the houses. The husbands leave   
for work, the women return to bed, the kids   
bend to porridge and milk. He advances   
slowly, eyes fixed, an animal or a god,   
while beneath him the earth holds its breath.

Philip Levine, “My Brother, the Artist, At Seven” from Poetry 181, no. 3 (January 2003): 27. Copyright ©  by Philip Levine.  Reprinted by permission of Philip Levine.

Poet Bio

Image of Philip Levine

Philip Levine was born in Detroit, Michigan, to Russian Jewish immigrants. Working in factories while earning his degrees, Levine had a close connection with the working class, which was a major influence on his poetry. Levine received the Pulitzer Prize for his 1994 collection The Simple Truth and in 2011 was appointed poet laureate of the United States.

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Lonely, open, vast and free,
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The wind sweeps o'er it fiercely,
And the yellow sand flies.
The tortuous trail is hidden,
Ere the sand-storm has passed
With all its wild, mad shriekings,
Borne shrilly on its blast.

 

Are they fiends or are they demons
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From out their depths of woe?
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Weave ‘round him incantations,
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The wind has spent its fierce wild wail,
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I can remember my father bringing home spruce gum.
He worked in the woods and filled his pockets
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For his children
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and we’d gather at this feet, around his legs,
bumping his lunchbox, and his empty thermos rattled inside.
Our skin would stick to Daddy's gluey clothing
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We had no money for store bought gum
but that’s all right.
The spruce gum
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as though in our mouths we held the eyes of Coyote
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